![Oziel Garza-Ornelas](/img/default-banner.jpg)
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Oziel Garza-Ornelas
Мексика
Добавлен 22 дек 2008
Oziel Garza-Ornelas, Plácido Domingo: Dio che nell'alma infondere.
Don Carlo: Plácido Domingo. Don Rodrigo: Oziel Garza-Ornelas. Opéra de Bordeaux, 8 Mai, 1997. Orquesta de la Ópera de Burdeos, dirigida por John Neschling.
Просмотров: 1 257
Видео
Oziel Garza-Ornelas. Scena della Morte di Rodrigo. Giuseppe Verdi. Don Carlos. Movie SD 480p
Просмотров 4593 года назад
Mexican Baritone, Oziel Garza-Ornelas sings the scene of Rodrigo's death from Giuseppe Verdi's Don Carlo. Yannick Nézet-Seguin conductor, Orchestra de l'Opéra de Montréal. December 2nd, 2001.
Ich Traue Seiner Gnaden
Просмотров 62510 лет назад
Aria Ich Traue Seiner Gnaden from Cantata 97, Tenor, Violin, Continuo. Bach Aria Group's recording from 1959. Maurice Wilk-Violin, Jan Peerce-Tenor, William Scheide-Director.
Ich bin der Welt abhanden gekommen OZIEL GARZA-ORNELAS Baritone
Просмотров 1,7 тыс.12 лет назад
Ich bin der Welt abhanden gekommen OZIEL GARZA-ORNELAS Baritone, Filarmónica de la Ciudad de México led by Gustavo Plis-Sterenberg.
Oziel Garza-Ornelas Rigoletto-Pari Siamo
Просмотров 2,9 тыс.14 лет назад
Mexican Baritone, Oziel Garza-Ornelas singing Pari Siamo from Verdi's opera Rigoletto, live.
Cappucilli-Urna Fatale- Forza del Destino 26 - oct -1961, Fidenza, Italia
Просмотров 3,6 тыс.14 лет назад
Unique Recording of Piero Cappuccilli singing Urna Fatale. Fidenza, 1961. Awesome cast. Labo as Alvaro, Vinco as Guardiano, Guido Mazzini as Melitone, Cossotto as Preziosilla, Maionica as Calatrava, and regrettably De Osma as Eleonora, directed by Ottavio Ziino.
Bach's air on the G string Stokowski
Просмотров 133 тыс.15 лет назад
Leopold Stokowski's magnificent rendition of Bach's exquisite Air for the G string from the suite in D.
Bouguereau
Просмотров 73215 лет назад
Some of Willam Adolphe Bouguereau's finest paintings accompanied by Mozart's andante from the sonata in D for two pianos KV448.
Bach's Air on the G string Stokowski
Просмотров 11 тыс.15 лет назад
Bach's Air on the G string Stokowski
😍
merci! très BEAU! vers nice! Esther et Etienne Kervyn.
Lo más bello de escuchar❤
Music like Johann Sebastian Bach is very sincerely
Cool, he seemed to have lowered it. I feel like I'm flying with angels on my way to be accepted to heaven at most, in the least, I'm just flying on a hanglider that has infinite power.
Verdi baritone in da house!!! Bravo!
Diane! Abbraccio! Miss you!
This is the best ever I've heard … Thanks Stokowski
Que gran escena y que entrega de dos maestros. Gracias al Universo que nos deja estos recuerdos... ¡Bravi i due!
Gracias, querida Sara! Un fuerte abrazo!
❤
En mis días cuando me tomo una copa de vino y escuchar esta belleza son los mejores! A ud maestro felicidades!
Muchas Gracias! Que bueno que lo disfrute.
Piero Cappuccilli un COLOSSO DELLA LIRICA!! Complimenti alla generosa Fidenza che sfoggiava per il capolavoro verdiano un CAST Straordinario!!! Grazie ❤️ x la condivisione
I don't know what to say... my heart is too full ❤️
This is my favorite air music version. But whenever I look at the cover, I think of Peter McNicole from Ghostbusters 2.
Merveilleux
Deus chama a minha alma por essa música 🎶
y la mía también!
não acredito em Deus, mas creio em Bach.
Beautiful
Oh man this is so beautiful! I don't care that it's not "historical", it's gorgeous!
I couldn't agree with you more!
One of the best versions of this masterpiece I have ever heard...absolutely brilliant.
I agree! Just gorgeous and very profound!
@@ozielich "Profound"... Excellent word to use! 👍
Beautiful song
I fell asleep. There is no spiritual energy in this version
Thank you for your comment, Pavel.
When you hear something like this, you start to think that, despite allthe horror in the world, we can be better people
Nicely put and couldn't agree with you more!
"Beauty will save the world" (Dostoïevski, Prince Mishkin, "Idiot"). Stokovski's arrangement and Bach's himself are proof of it. Sublime.
@@micaelabonetti949 Great quote. I have that book somewhere. I promised myself that I will read it in some distant day.
@@ginomorales8989 Please, Gino, open this book as soon as possible! Now! I'm already finishing my third reading of it. Fourth one won't be far away... Profoundly mesmerizing, a book (an author, Dostoïevsky) that can change one's life, gracing it. 🙏
@@micaelabonetti949 Rereading a book is the highest tribute to an author. The good old man must feel really proud somewhere. I have already read Humiliated and Offended, The Gambler, White Nights and Memories from the Subsoil. I have a stack with Crime and Punishment, The Idiot, Demons, and The Brothers Karamazov pending. If you think it's a good read to deal with persistent sadness, I promise to read a few pages of The Idiot tomorrow (it's 5:00 am in my country). Thanks for your time.
Somebody, please reissue this on CD !!!
I know! That aria alone makes that whole LP worthwhile.... The violin playing of Welk is unparalleled!
@@ozielich Wonderful indeed. There was a 2-CD album of the Bach Aria Group recordings available on Vox (I think it could still be found on Amazon), but the violinist featured there was Oscar Shumsky (also one of the greats)
@@spind Oh! I thought this was Welk. Someone had told me this at some point. Well... It's just incredibly beautiful, the violin solo is just another level of musicianship!
@@ozielich I meant Shumsky was the violinist in the recordings featured in that CD set, not the recording you posted.
@@spind Ah! Ok! Thank you for clearing that up. It was Robert Bloom's wife who had told me the playing in that aria was Welk's. Indeed wish they reissue those in CD. There is a soulfulness in these recordings that transcend style.
Oziel! What a dream! The two of you are the perfect compliment in this duet. Such strong singing, with conviction and beautiful sound! Congratulations, my friend! Bravo!
Donna! Thank you so much! I miss you!
Bravissimi! Davvero tutti e due!!
Thank you, Caro Stefano!
My MAN! This is awesome! To sound so GOOD with a legend!! what's it like?
Dude, it was an honor!!! The man is such a musician! It was a privilege!
Privilegiados con esa voz que Dios les dió. Que sigas dándonos guía maestro Oziel ! con tu impecable trayectoria grandes satisfacciones siempre ✌🏼
Franklin! Muchas gracias!
Grandes! Uno nacido en México y otro Mexicano de corazón 🇲🇽❤. Bravo maestro!
Oziel! How wonderful to see that it is you who posted this! I love the Bach Aria Group, and this is exactly how I want to hear this aria. When are we going to be able to make some music together again?
Eric! I know.... the solo violin of Mr. Wilk is sublime! I miss you and I hope we can indeed sing together soon. I'd be delighted!
BTW: this piece is the basis of Procol Harum's Whiter Shade of Pale.
Yes, I had heard that! Makes perfect sense. Thank you for posting.
THE GRAND MAESTRO LEOPOLD STOKOWSKI
Absolutely!
Extraordinario
Extraordinario. Excelente
Rubén! Muchas gracias!
Bravo maestro. Que bueno que que subes esto para disfrutar de tu arte y talento.
Gracias querida, Rosario!
Zzzzzzzzzzz
Stokowski hizo aún más grande a Bach. (Si de alguna manera eso fuera posible, claro). Gracias por compartir la belleza de la Música, que inspira al alma y nutre la existencia. 🙏♥️
Qué bellamente lo has expresado, Manuela. Stokowski, con Bach, en efecto, inspiran y nutren el alma y la existencia!
@@ozielich Muchas gracias por valorar mi comentario. Me limité a expresar lo que siento. No concibo la vida sin la compañía de la Música (con mayúsculas). En esto, Bach es sublime, y Stokowski viene a ser un excepcional ayudante, consiguiendo una perfecta simbiosis. 💚
@@manuelaformoso4647 Así es. He escuchado tantas nobles expresiones de esta pieza pero ninguna más hermosa, noble, inspirada y me atrevo a decir, trascendental, como ésta.
@@ozielich Gracias de nuevo. No creo merecer tantos elogios, pero admito que para mí supone un enorme consuelo saber que alguien comparte lo que siento, lo que pienso. A veces, me resulta difícil encontrar las palabras adecuadas con las que describir tanta belleza... Mil gracias por contribuir a difundirla
@@manuelaformoso4647 Pienso lo mismo, Manuela.
Bach - Air on G-string (slowed+reverb) (Stokowski Remix)
Lovely!
Qué magnífica interpretación! Deja el alma en un hilo, siguiendo el oído la melodía. Sin embargo, la música y la voz, arroban el alma, y lo transportan a otra dimensión: la música y el cielo. What a magnificent interpretation! It leaves the soul pending on a thread, as the melody is followed by our senses. Nevertheless, the music and the voice enthrall your soul, and takes it to another dimension: that of music, and heaven itself.
洋阿相 こんなにも美しく悠々迫らぬテンポで歌われた組曲第3番のアリアを耳にしたことがあったでしょうか。素晴らしい編曲と演奏です。エルマンの「G線上のアリア」でこの曲を知って以来70年以上を経る時間の中で数知れぬ種類の演奏に接してきました。先述のエルマンからフルトヴェングラー、吾が小澤征爾、レイモン・ルフェーブルに至るまで。そう、MJQとスイングル・シンガースとの共演にも感動しましたっけ。確かに原作者の意図しなかった編曲ではあり「バッハへの冒涜行為だ」とお怒りの方もおいででしょうが、これほど多くの人々に親しまれ感動を生んだ音楽の貴重な原石をバッハが人類に贈って下さったことは確かな事実なのです。バッハとストコフスキーに心からの感謝を!
Beautifully stated. It is one of the most glorious interpretations and arrangements of this piece one could ever hope to find. They breathe together, play together.... do ritardandi together and then some....I join you in thanking J.S. Bach and thanking Leopold Stokowski.
I am sorry for my inadequate English. Many people enjoy this slow pace, and you are welcome to do so. But we know this tempo is too slow. At the time this well known music were rediscovered, the knowlegde about how to perform baroque music was almost forgotten. The composers in the middle of 1800 filled their compositions with lot of marks related to tempi, dynamics and so on. But when people asked for the sheet music for this piece, the publishers faced a problem - they couldn't find a single word about tempo, dynamics, ritardando etc, a common practise back then. Therefore the publishers printed their own private opinions without any knowlegde about the original style. For that reason, pay attention to HIP-performances. The musicans have studying old sources for years, they make attempts to bring the old music back to the original style.
Agreed, and yet we may never know with precision the exact tempo. Which makes it even more beautiful to find so many versions that are profound and transcend performance practices of any given era.
Oziel, I regret my final sentence: "...to bring the old music back to the original style." It's better to say: to bring the music closer to the original style.
There's been a long debate about tempi and while indeed, there are markings from Romantic era composers, even those are highly debated. There's very little solid evidence to go by just how fast or slow to conduct a composer from Bach's era. I often feel too many HIP conductors perform the pieces too fast, to the point that it truly feels rushed. There's a channel on RUclips dedicated to the argument that it should be slower, Wim Winters runs it...though at times it feels like too hard of a step in the opposite direction. Pieces really feel weighed down and tired. I'm kind of on the fence on both. I feel that the performer or conductor should have more say in the tempo. I've got recordings of Stravinsky conducting his own pieces, and they're not my go-to performances.
EyeShotFirst. Wim Winters is controversial because he interprets the metronome of the romantic era differently than is usual. But the metronome came long after Bach's time, which is why Wim Winters is irrelevant here. What did tempi in the Baroque? As I understand it, they were based on the heartbeat. Therefore, different time signatures had different tempi. Air was written in the time signature C, a time signature neither fast or slow, but something in between. In the time signature C, about 60 crotchets per minute were counted. Therefore, we know that this version is too slow.
Transcription by Stokowski , for instance the beginning played by the cello section. Stokowski made at least 42 arrangements / transcriptions of Bach s works , " the Air " in 1923.
Never do I stop listening to it. It's downright sublime.
🕊 Stokowski🤝Bach 🕊 Sublime
Indeed! Simply sublime!
Listening, I return to late noons of my childhood, some in winter, when a radio station added a end-of-day commentary to this delicious song, and then I stopped. Meanwhile, my grandmother, imbued with the same love for the patience of all those decent days, prepared the next dinner and it all came out of her hands with magic. I will never forget.
wow.... what a beautiful way to know this exquisite piece!
That was beautiful. Thanks, Manuel.
what a wonderful voice.. i love this kind of voice...
Beautiful. ♥🍁🎨
Listening and appreciating music is a matter of taste. Simply enjoy different versions of the same piece and stop criticising.
Charles Barry, I am sorry for my inadequate English. Charles, quote: «..music is a matter of taste». Oh no, it isn’t that simple! Old music is an important part of our history. Therefore we should understand the need of listening to the music also in a historical context. In Bach’s day, the composers used «tempo ordinario» if they did not add any tempo indications. Bach don’t say anything about slow tempo in his well known Air. The time signature is C, and without tempo indications, the tempo should be «tempo ordinario». Hey counted four beats per measure, but what kind of beat? Heart beats! A human function normally with 60-80 heart beats per minute, some sources say 50-80. In this performance the number of heart beats per minute are 26… Therefore we know that this pace is way too slow, a romantic version far from the original style.
Le tempo très étiré, l'ostinato des contrebasses, et la parfaite articulation de chaque pupitre, les voix et les les contre-voix, forment un tout absolument délicieux ! Jean-Sébastien Bach transcendé ! Une merveille !
Exactement!
FANTASTİC MUSİC
Simply Exquisite!
Nicely put, Max. Still my favourite version.
Superb. Bravo
Je le considère comme le plus beau, le plus grandiose morceau musical de tous les temps.
Claude Alain, loin de moi l'idée de faire des comparaisons: et je trouve cette interprétation sublime. Puis-je me permettre, puisque vous aimez cette œuvre, de vous conseiller l'écoute (et la vision, touchante elle aussi) du bis dirigé par Mikhail Pletnëv avec son fabuleux Russian National Orchestra? Je ne peux l'écouter sans pleurer. Et depuis AVANT la première note jusqu'à l'extinction totale de la dernière...
.......all I know is the Stokowski sound and everything he touches turns to pure gold! His orchestrations/arrangements go into my ear then straight down to my heart
Janet Smith beautifully put!